Idag har jag lärt mig om Judee Sill:
There’s a song called “The Kiss” that has a melody so crystalline and palliative that, if you could drink it, it would probably both cure leprosy and make you accidentally fall in love with the next person you see. And “The Donor” is an eight-minute finale of such blazing power that you sort of just sit there after it’s over, unsure about what you’ve just experienced, full of questions about the kind of person who could successfully shut out the shitiness of the world and make music music that is so thoroughly, faithfully, unapologetically beautiful.